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Alonewithothers's Blog

Smile, without a reason why. Love, as if you were a child.

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  • The Second Coming – A Secular Hymn
  • The Treason of the Intellectuals 2.0 (Philosophical Foundations (a. Ancient Roots)
  • Tradarea Intelectualilor 2.0 (1. Temeliile filosofice a. ceva radacini antice)
  • The Treason of the Intellectuals 2.0 (Prolegomena)
  • Tradarea Intelectualilor 2.0 (Prolegomene)
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  • O propunere pentru domnul A. Marga

    October 14, 2012

    Poate că fiecare român care a mai citit, ascultat, vizionat sau văzut ceva interesant și prețios în cultura română ar trebui să îi ofere o idee domnului nou șef al ICR, aflat într-o (cam lungă) pauză de inspirație. Iată propunerea mea muzicală:

    … de ascultat pentru a elibera mintea purtată prin strâmtorile mirositoare ale țevilor unor calorifere vechi de când romanii.

    Uite că nemții, atât de dragi domnului A. Marga, au fost foarte încântați de Eugen Cicero, un pianist român excepțional, care  e cunoscut mai mult în străinătate decât în țara unde s-a născut. Iată că poți fi genial și uitat chiar și după moarte, caz valabil mai ales la români.

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  • Creed

    October 14, 2012

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  • Culmea ipocriziei canadiene

    October 9, 2012

    … să faci o întreagă afacere din aducerea imigranților de aiurea (immigration is not charity!), trecându-i printr-un îndelungat și costisitor proces de licențiere pentru ca la universitate sa le speli creierul spunându-le cât de importante sunt conceptele de “social justice, equality and equity” pentru societatea canadiană!

    Poate că hiperexcitarea vizuală (a logourilor, a graficelor și a trendurilor) a creatorilor de politici publice îi deposedă pe aceștia de darul natural de a mai auzi sunetele din afara bulei utopice în care s-au închis ca veritabili solipsiști ai succesului! Se pare că realismul și modestia (vorba apostolului Pavel ”să nu ai despre sine o părere mai înaltă decât se cuvine; ci să ai simţiri cumpătate despre sine!” – Romani 12:3) sunt virtuți rare într-o epocă a imagologiilor delirante!

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  • Alive Again

    October 8, 2012

    Theologian Karl Barth, after writing thousands of pages in his Church Dogmatic, arrived at this simple definition of God: “the One who loves.”

    Not long ago I heard from a pastor friend who was battling with his fifteen-year-old daughter. He knew she was using birth control, and several nights she had not bothered to come home at all. The parents had tried various forms of punishment, to no avail. The daughter lied to them, deceived them, and found a way to turn the tables on them: “It’s your fault for being so strict!”

    My friend told me, “I remember standing before the plate-glass window in my living room, staring out into the darkness, waiting for her to come home. I felt such rage. I wanted to be like the father of the Prodigal Son, yet I was furious with my daughter for the way she would manipulate us and twist the knife to hurt us. And of course, she was hurting herself more than anyone. I understood then the passages in the prophets expressing God’s anger. The people knew how to wound him, and God cried out in pain.

    “And yet I must tell you, when my daughter came home that night, or rather the next morning, I wanted nothing in the world so much as to take her in my arms, to love her, to tell her I wanted the best for her. I was a helpless, lovesick father.”

    Now, when I think about God, I hold up that image of the lovesick father, which is miles away from the stern monarch I used to envision. I think of my friend standing in front of the plate-glass window gazing achingly into the darkness. I think of Jesus’ depiction of the Waiting Father, heartsick, abused, yet wanting above all else to forgive and begin anew, to announce with joy, “This my son was dead, and is alive again; he was lost, and is found.”

    Mozart’s Requiem contains a wonderful line that has become my prayer, one I pray with increasing confidence: “Remember, merciful Jesus, That I am the cause of your journey.” I think he remembers. (Philip Yancey,  What’s So Amazing About Grace?, Zondervan, 1997, pp. 55-56)

    PRODIGAL SON by Bob Kessel after Rembrandt

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  • Filosofia societății nord-americane in fix 35 de secunde

    October 6, 2012

    Aici nu e vorba doar de corporatism, ci de mantrele obsesive ale impecabilului care se furișează, sub diverse forme, în relațiile umane, în politicile educaționale, pe coperțile revistelor sau în titlurile show-urilor de succes. Atunci când dorești mai mult, când îți lipești toate etichetele vandabile, când crezi că ești în proximitatea perfecțiunii, tocmai atunci ești cel mai aproape de imposibilitatea de a vedea ruptura dintre pretenție și realitate, dintre sine și pretinsa lui proiecție socială. Poate că, pusă în acest context, înțeleg mai bine suspiciunea lui Baudrillard față de largul zâmbet american.

    Iadul vopsit în culorile raiului, vanitate diabolică prezentată sub forma virtuții standard, iată condițiile pentru a trăi într-o minunată lume a gonflabilului, a pielii devenită organ pentru respirare, raționare, semnificare și simțire emoțională. Cine te mai poate scoate din această captivitate ”paradisiacă”?

    Întotdeauna mărirea și căderea sunt în proximitatea unor alegeri. Doar că tipul de alegere este cel care dă direcția mișcării dintre cele două momente…

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